The Dub Plug White Label Series: 10 Unreleased Custom Pressings by DJ Natural Nate® VS Jiggabot

Before anything else, it is worth explaining what a white label is, because in 2026, with streaming dominating every conversation about music distribution, the concept of a white label vinyl pressing has become foreign to most people under thirty.

A white label is a vinyl record pressed without commercial artwork, without a catalog number assigned to a major distributor, and without any intention of retail sale. The label: the paper circle at the center of the record, is plain white, printed only with the track name, artist name, RPM speed, and whatever imprint information the pressing house includes. There is no barcode. There is no UPC. There is no Beatport listing. There is no Spotify page. There is no streaming link of any kind.

White labels exist for one reason: to be played by DJs, at shows, in front of crowds who will never own the record and will never hear the track anywhere else. They are the most exclusive format in dance music. They are the physical embodiment of the philosophy that some music belongs to the dance floor and nowhere else.

DJ Natural Nate® has operated by this philosophy for his entire career. The white label pressing program that produced The Dub Plug Series was not a marketing strategy. It was not a limited-edition collectible scheme. It was not a way to generate hype before a digital release. It was a statement: the same statement that has defined this catalog from the beginning: the music is for the people who show up. If you were not at the show, you cannot own the music. That is not a restriction. That is a principle.

"The white label is not a format. It is a statement about what music is worth and who it is made for.", DJ Natural Nate®

The story of The Dub Plug White Label Series begins long before the records were pressed. It begins in the mid-2000s, when DJ Natural Nate® and Jiggabot were building the infrastructure that would eventually support one of the most prolific underground catalogs in Colorado's dance music history.

Bruise Your Body Breaks, BYBB, was established as the production and performance identity for DJ Natural Nate®'s most personal work. It was never a commercial label in the traditional sense. It was a banner under which the most uncompromising, dance-floor-focused productions would live, music made without regard for what was trending, what was selling, or what the algorithms preferred. BYBB was the answer to a question that most producers never ask: what would you make if you were making it only for the room?

The-Lost-Art.com was the platform: the online home for the community, the broadcasts, the documentation, and the philosophy. Together, BYBB and The-Lost-Art.com created an ecosystem that valued craft over commerce, presence over popularity, and the live performance over the streaming metric.

By the time the white label pressing program began in earnest, DJ Natural Nate® had accumulated a substantial archive of unreleased productions, tracks that had been completed, mastered, and deemed ready for the dance floor but deliberately withheld from digital distribution. Not because they were not good enough. Because they were too good to give away for free to an algorithm that would bury them in a playlist between two tracks that had nothing to do with them.

The decision to press these tracks to vinyl, specifically to white label test pressings through The Dub Plug, was the natural conclusion of a philosophy that had been building for years. If the music was going to exist, it was going to exist on wax. And if it existed on wax, it was going to be played live, in front of people, the way music was always meant to be experienced.

"BYBB was the answer to a question that most producers never ask: what would you make if you were making it only for the room?", DJ Natural Nate®

Every record in this series carries the same credit at the bottom of the label: "Mastered & Cut by Izzy @ thedubplug.com."

The Dub Plug is a specialist vinyl cutting and mastering service that works with independent artists and labels to produce custom test pressings and limited vinyl runs. Izzy: the engineer behind the cuts, is responsible for translating the digital masters into the physical grooves that make these records playable on a turntable. This is not a trivial process. Cutting vinyl requires a deep understanding of how low frequencies behave in the groove, how stereo information translates to the physical medium, and how to balance the loudness and dynamics of a track so that it plays cleanly at both 33 and 45 RPM.

The fact that this series was cut at both speeds, some records at 33 RPM for longer, deeper tracks, and others at 45 RPM for shorter, punchier DJ tools, reflects a deliberate approach to how each track was intended to be used in a live set. A 45 RPM pressing runs the groove faster, which allows for more dynamic range and louder playback. A 33 RPM pressing allows more music per side at the cost of some high-frequency detail. The choice of speed for each record in this series was not arbitrary. It was a production decision made in service of the dance floor.

The Dub Plug imprint appears on every label alongside the Bruise Your Body Breaks logo and The-Lost-Art.com logo: a visual confirmation that these records exist at the intersection of three distinct identities: the pressing house that made them physical, the production banner that gave them their character, and the platform that documented their existence.

What follows is the complete documented record of every known side in The Dub Plug White Label Series. Each record has two sides: the photographs in this article document one side of each pressing. The B-sides remain undocumented in photograph form but are accounted for in the total track count of 20 unreleased productions across 10 records.

Every track listed here was produced by DJ Natural Nate® VS Jiggabot, with guest contributions from Axel V, Rob Cokeless, Damian Doyle, and Angel Pitch. Every track was mastered and cut by Izzy at The Dub Plug. None of these tracks have ever been commercially released. None of them exist on any streaming platform. None of them have ever been uploaded to Beatport, Spotify, Apple Music, SoundCloud, or any other digital distribution service.

These are the records. This is the proof.

The first documented pressing in the series is one of the two Rob Cokeless collaborations: a track that represents one of the most significant outside contributions to the white label program.

The Dub Plug pressing series, Bruise Your Body Breaks and The-Lost-Art.com imprints visible on every label

Rob Cokeless is a producer and DJ whose work has intersected with the Colorado underground scene at multiple points over the years. His involvement in this pressing series speaks to the collaborative spirit that defined the entire project. "Be Forgiven (Original Mix)" is credited to Rob Cokeless & DJ Natural Nate VS Jiggabot: a three-way production credit that reflects the genuine collaborative nature of the track rather than a simple remix arrangement.

The 45 RPM pressing speed indicates this was intended as a high-energy DJ tool: a track built for peak-hour use, with the extra dynamic range that 45 RPM provides giving the low end more punch and the high frequencies more clarity. The "Original Mix" designation suggests that additional versions of this track may exist, though none have been publicly documented.

This record has never been commercially released. It exists only on this pressing and in the hands of whoever received a copy at the shows where it was played.

The second pressing shifts to 33 RPM: a deliberate choice that signals a longer, more atmospheric track. "If The Sky Falls Down" is a pure DJ Natural Nate VS Jiggabot production, no outside collaborators, and the title alone suggests something cinematic and emotionally weighted.

"If The Sky Falls Down", DJ Natural Nate VS Jiggabot: 33 RPM, one side of Record 2 in the series

The 33 RPM speed allows for more music per side, which means this track likely runs longer than the 45 RPM pressings in the series. In a live set context, a longer track at 33 RPM gives the DJ more room to work, more time to build a mix, more time to let the crowd settle into the groove before the next transition.

The title "If The Sky Falls Down" fits squarely within the emotional vocabulary that has defined the most personal work in the DJ Natural Nate® catalog. This is not a throwaway title. It is a statement about resilience, about what happens when everything around you collapses and the music is the only thing that holds.

This record has never been commercially released.

Record 3 introduces a new collaborator to the series: Angel Pitch. The credit reads "DJ Natural Nate, Jiggabot VS Angel Pitch": a slightly different construction than the standard VS Jiggabot format, suggesting that Jiggabot is credited as a co-producer alongside Nate rather than as the opposing force in the VS dynamic.

"What You Cant Have", DJ Natural Nate, Jiggabot VS Angel Pitch: 45 RPM, one side of Record 3

Angel Pitch's contribution to this track represents one of the broader collaborative connections that the white label program was designed to document. The VS format in the credit is not adversarial, it is a production convention that signals a genuine creative exchange between artists, a meeting of styles and approaches that produces something neither party would have made alone.

"What You Cant Have" at 45 RPM is another peak-hour tool: a track built for the moment in a set when the energy is highest and the crowd is most receptive. The title carries a philosophical weight that fits the overall character of this series: the idea that the most valuable things are the ones that cannot be purchased, streamed, or downloaded. The music you can only hear if you were there.

This record has never been commercially released.

Record 4 is the most confrontational title in the series, and deliberately so. "Go Fuq Yourself" is a statement. In the context of a catalog built on the philosophy of making music for the love of it rather than for commercial validation, a track with this title is not an act of aggression. It is an act of clarity.

"Go Fuq Yourself", DJ Natural Nate VS Jiggabot: 45 RPM, one side of Record 4

The underground dance music community has always had a complicated relationship with the mainstream. The artists who built the culture: the producers who pressed white labels, who played warehouse parties, who built communities around the music rather than around the metrics, have watched for decades as the commercial machine absorbed, diluted, and monetized everything they created. "Go Fuq Yourself" is the response to that process. It is the sound of an artist who has decided that the opinion of the commercial machine is irrelevant.

At 45 RPM, this is a high-energy track built for the dance floor, not for the playlist, not for the algorithm, not for the streaming chart. For the dance floor. For the people who showed up. For the moment when the music is the only thing that matters.

This record has never been commercially released.

Record 5 is the most technically specific title in the series. "RITM OBE Extended DJ Remix": the "Extended DJ Remix" designation is a production convention that signals a version built specifically for DJ use, with extended intros and outros that give the DJ room to mix in and out cleanly, and a longer runtime that allows the track to breathe in a live set context.

"RITM OBE Extended DJ Remix", DJ Natural Nate VS Jiggabot: 33 RPM, one side of Record 5

The 33 RPM speed confirms the extended runtime, this is a longer track, designed for sustained floor time rather than a quick peak-hour drop. The "RITM OBE" title is cryptic by design, consistent with the naming conventions that have appeared throughout the DJ Natural Nate® catalog for tracks that carry personal or philosophical significance beyond what the title explicitly states.

"Extended DJ Remix" versions are typically made for DJs who need more flexibility in their sets, more time to build, more time to transition, more room to work with the music rather than being constrained by a radio-edit runtime. The fact that this version was pressed to vinyl rather than distributed digitally means it was made exclusively for live use, by the DJs who had access to the pressing.

This record has never been commercially released.

Record 6 is the first of the two Axel V collaborations in the series, and it is the most explicitly labeled as a DJ tool. The credit reads "Axel V VS DJ Natural Nate VS Jiggabot": a three-way VS construction that places Axel V as the lead contributor on this particular pressing.

"Blue October (DJ Tool Remix)", Axel V VS DJ Natural Nate VS Jiggabot: 45 RPM, one side of Record 6

Axel V is a DJ and producer whose relationship with DJ Natural Nate® has been documented through live performances and collaborative work over multiple years. His appearance on this pressing, and on Record 9, represents one of the most significant outside contributions to the white label program, and the "DJ Tool Remix" designation on this track is a direct statement of intent: this is a record made for DJs, by DJs, to be used in DJ sets.

A DJ tool is a production specifically designed to assist a DJ in their performance, it might be a stripped-down version of a track with extended percussion, a cappella sections, or instrumental breaks that give the DJ more options for mixing and layering. The "Blue October (DJ Tool Remix)" at 45 RPM is exactly that: a high-energy tool built for the dance floor, designed to be used rather than simply listened to.

The title "Blue October" carries its own weight, October has personal significance in the DJ Natural Nate® catalog, appearing in multiple contexts across the career timeline. Whether this is a direct reference to that significance or simply a title that resonated in the moment of production, it fits the emotional vocabulary of the series.

This record has never been commercially released.

Record 7 introduces the third outside collaborator in the series: Damian Doyle. The credit reads "DJ Natural Nate & Jiggabot VS Damian Doyle", with the ampersand between Nate and Jiggabot signaling a unified production front facing off against Doyle's contribution.

"I'll Be Fine", DJ Natural Nate & Jiggabot VS Damian Doyle: 33 RPM, one side of Record 7

Damian Doyle's involvement in this pressing represents another thread in the international collaborative network that has always characterized the most ambitious work in the DJ Natural Nate® catalog. The VS Damian Doyle credit suggests a remix arrangement, Doyle bringing his own production sensibility to a track that originated with Nate and Jiggabot, creating something that neither party would have produced independently.

"I'll Be Fine" at 33 RPM is one of the more emotionally direct titles in the series. In the context of a catalog that has consistently used music to process grief, resilience, and the ongoing work of staying present through difficult circumstances, "I'll Be Fine" is not a throwaway reassurance. It is a statement of survival. It is the sound of someone who has been through something and is still standing.

The 33 RPM pressing gives this track room to breathe: a longer runtime, a more sustained emotional arc, the kind of track that works in the middle of a set when the energy needs to shift from peak-hour intensity to something deeper and more reflective.

This record has never been commercially released.

Record 8 returns to the core DJ Natural Nate VS Jiggabot production credit, no outside collaborators, just the two of them. "I'm The Only One" at 45 RPM is a statement of identity, of artistic individuality, of the refusal to be categorized or compared.

"I'm The Only One", DJ Natural Nate VS Jiggabot: 45 RPM, one side of Record 8

In the context of a career that has been defined by the insistence on doing things the right way regardless of commercial pressure, "I'm The Only One" carries a specific meaning. It is not arrogance. It is the recognition that the combination of skills, history, philosophy, and commitment that defines DJ Natural Nate® is genuinely singular, that there is no one else in the Colorado underground, or anywhere else, who has built exactly this catalog, played exactly these shows, pressed exactly these records, and maintained exactly this standard for exactly this long.

The 45 RPM pressing speed places this firmly in peak-hour territory: a track built for the moment when the crowd is most alive and the DJ is most in command. A track that announces itself and demands attention.

This record has never been commercially released.

Record 9 is the second Axel V collaboration in the series, and where Record 6 credited Axel V as the lead contributor, Record 9 credits DJ Natural Nate VS Jiggabot as the primary artists with Axel V as the remixer. "Eye in The Sky, Axel V Remix" is a different kind of collaboration: Axel V taking a DJ Natural Nate VS Jiggabot original and reinterpreting it through his own production lens.

"Eye in The Sky (Axel V Remix)", DJ Natural Nate VS Jiggabot: 45 RPM, one side of Record 9

The "Eye in The Sky" title has a long history in music, most famously associated with the Alan Parsons Project's 1982 classic, but in this context it carries a different weight. The eye in the sky is the observer, the one who sees everything from above, the perspective that transcends the immediate moment and takes in the full picture. In the context of a career that has always been about the long view, about building something that lasts rather than chasing what is trending, "Eye in The Sky" is an appropriate title for a track that represents the culmination of a collaborative relationship.

At 45 RPM, this is another peak-hour tool, Axel V's remix bringing his own energy and production style to a DJ Natural Nate VS Jiggabot original, creating a version that exists only on this pressing and nowhere else in the world.

This record has never been commercially released.

The tenth and final pressing in the documented series is "Somethin' Like This": a title that, in its deliberate vagueness, captures something essential about the entire project. Somethin' like this. Not exactly this. Not a copy of this. Not a digital version of this. Somethin' like this: the closest approximation that words can offer for an experience that ultimately exists only in the room, in the moment, between the music and the people who are present for it.

"Somethin' Like This", DJ Natural Nate VS Jiggabot: 45 RPM, one side of Record 10, note the distinctive blue center hole

"Somethin' Like This" at 45 RPM closes the series the way it opened, with a high-energy DJ Natural Nate VS Jiggabot production built for the dance floor, pressed to vinyl, and played live at shows. No streaming. No digital release. No algorithm. Just the record, the needle, the speakers, and the crowd.

The blue center hole on this pressing, visible in the photograph, is a minor manufacturing variation that distinguishes this pressing from the others in the series, which have the standard brown/tan center hole. It is a small detail, but in a series defined by its physical specificity, every detail matters. This is the record. This is the proof. This is what it looks like when music is made for the love of it.

This record has never been commercially released.

Two of the ten pressings in this series carry Rob Cokeless production credits, "Be Forgiven (Original Mix)" on Record 1, and a second collaboration documented on the B-side of one of the other pressings. Together, these two tracks represent one of the most significant outside contributions to the white label program.

Rob Cokeless is a producer and DJ who has been part of the Colorado and broader underground dance music community for years. His work sits at the intersection of breakbeat, electro, and deep electronic music: a sonic territory that aligns naturally with the production philosophy of DJ Natural Nate® and Jiggabot. The decision to include two Rob Cokeless collaborations in a series of only ten pressings speaks to the depth of the creative relationship and the quality of the work that resulted from it.

"Be Forgiven (Original Mix)": the documented A-side of Record 1, is a 45 RPM pressing, which places it in the high-energy DJ tool category. The "Original Mix" designation suggests that this is the foundational version of the track, the one that was produced first and pressed to vinyl before any remixes or alternative versions were created. Whether additional versions exist is unknown, but the original is here, on wax, documented and preserved.

The second Rob Cokeless collaboration in the series remains undocumented in photograph form, it exists on the B-side of one of the pressings, its label unphoto graphed in this collection. But its existence is confirmed by the total track count: 20 tracks across 10 records, with Rob Cokeless credited on two of them.

Two Rob Cokeless collaborations across ten pressings: a testament to the depth of a creative partnership built in the Colorado underground.

The two Axel V contributions to this series, "Blue October (DJ Tool Remix)" on Record 6 and "Eye in The Sky (Axel V Remix)" on Record 9, represent a specific category of production that deserves its own discussion: the DJ tool.

A DJ tool is not a song in the traditional sense. It is a production designed to be used as an instrument in a live DJ performance: a piece of music that gives the DJ options, flexibility, and creative material to work with in real time. DJ tools typically feature extended percussion sections, isolated elements (bass lines, vocal chops, synth stabs), and structural flexibility that allows the DJ to layer them over other tracks, use them as transitions, or drop them as standalone moments in a set.

Axel V's "Blue October (DJ Tool Remix)" is explicitly labeled as such: a DJ tool remix, built for DJ use, pressed to vinyl for exclusive live performance. The fact that this tool was pressed to white label rather than distributed digitally means it was made for a specific context: the shows where DJ Natural Nate® and Jiggabot performed, the rooms where the music was meant to be heard, the crowds who showed up to experience something that could not be replicated on a streaming platform.

The "Eye in The Sky (Axel V Remix)" on Record 9 is a different kind of contribution: a full remix rather than a DJ tool, but still pressed exclusively to vinyl and played exclusively at live shows. Together, these two Axel V contributions represent a creative partnership that produced some of the most technically sophisticated work in the entire series.

Axel V has appeared in the DJ Natural Nate® catalog in multiple contexts, as a live performance collaborator, as a featured artist, and now as a remixer and DJ tool producer in the white label program. His contributions to this series are among the most significant outside collaborations in the entire catalog.

"A DJ tool is not a song. It is an instrument. It gives the DJ options, flexibility, and creative material to work with in real time.", DJ Natural Nate®

This is the question that everyone asks eventually: why not release them? Why press twenty tracks to vinyl, play them at shows, document them in photographs, and then leave them there, on wax, in crates, in the hands of whoever was present, without ever uploading them to Beatport or SoundCloud or Spotify?

The answer is the same answer that has defined this entire catalog from the beginning: because not everything should be released.

There is a philosophy at work here that predates streaming, predates digital distribution, predates the internet itself. It is the philosophy of the DJ who understands that the value of music is not determined by how many people can access it, but by the quality of the experience it creates for the people who do. A track that is played once, at a show, in front of two hundred people who will never hear it again, has done something that a track with two million streams has not necessarily done: it has created a moment. A real moment. An irreplaceable moment. A moment that exists only in the memory of the people who were there.

The white label pressing is the physical form that honors that principle. When you press a track to vinyl and play it at shows without releasing it digitally, you are making a statement about what music is for. You are saying that the dance floor is the destination, not the platform. You are saying that the people who show up deserve something that the people who stay home cannot have. You are saying that exclusivity is not a marketing strategy, it is a form of respect for the audience that chose to be present.

DJ Natural Nate® and Jiggabot have operated by this principle for their entire careers. The Dub Plug White Label Series is the most concentrated expression of that principle in the entire catalog, twenty tracks, ten records, zero digital releases, and a clear statement that some music belongs to the moment it was made for and nowhere else.

"Not everything should be released. That principle has guided this catalog from the beginning. Some music is made for the dance floor and stays there.", DJ Natural Nate®

These records will not be released digitally. That is not a temporary decision pending some future announcement. It is a permanent commitment to the philosophy that produced them. If you want to hear these tracks, you needed to be at the show. That is the point. That has always been the point.

The ten pressings documented in this article represent only a portion of the unreleased material in the DJ Natural Nate® catalog. Alongside the white label vinyl program, there exists a substantial archive of unreleased WAV files, completed, mastered productions that were never pressed to vinyl and never uploaded to any platform.

These are not unfinished tracks. They are not demos. They are not rough mixes waiting for a final pass. They are completed productions, music that was made, finished, and then deliberately withheld from release because the right moment for them had not arrived, or because the philosophy of the catalog demanded that some music remain private.

The existence of this archive is not a secret. DJ Natural Nate® has spoken about it publicly on multiple occasions. The archive is part of the story, part of the documentation of a career that has always valued depth over breadth, quality over quantity, and the integrity of the work over the metrics of its distribution.

Some of these tracks may eventually find their way to vinyl. Some may remain in the archive indefinitely. The decision will be made the same way every decision in this catalog has been made: based on what serves the music, not what serves the algorithm.

The white label pressing program is the most visible expression of this philosophy: the physical proof that the archive exists and that the music in it is real. The photographs in this article are the documentation. The records are the proof. The shows were the purpose.

To understand the significance of The Dub Plug White Label Series, it helps to place it in the context of the broader DJ Natural Nate® career timeline.

**1991–2000: The Foundation Years.** DJ Natural Nate® attends his first raves in 1991 and begins DJing in 1996, building his skills through years of practice, performance, and immersion in the Colorado underground dance music scene. The philosophy of craft over commerce is established early, this is a career built on the love of the music, not the pursuit of commercial success.

**2000–2009: The Underground Era.** The-Lost-Art.com is established as the platform for the community. Bruise Your Body Breaks emerges as the production banner. The first formal releases begin to appear, but the majority of the catalog remains unreleased, music made for shows, for broadcasts, for the community, not for commercial distribution.

**2009: LEGEND.** The debut full-length album drops on June 13, 2009, 21 tracks of cinematic electro breaks and electro bass, distributed through ReverbNation and iTunes, featured on NuBreaks.com. LEGEND establishes the sonic foundation for everything that follows and marks the beginning of the formal catalog.

**2010–2020: The Beatport Era.** Multiple Beatport-confirmed releases across Underground Music Xperience, Frajile Recordings, Carocell Music, ONE7AUDIO, and other labels. The catalog grows to over 100 confirmed releases. The white label pressing program begins to take shape as a parallel track, music made for the dance floor that will never appear on Beatport.

From 1991 to 2026, over thirty years of music, craft, and the unwavering commitment to doing it right.

**2020–2025: The Legacy Era.** The 7-Hour BYBB Productional Mix, Reflections drops on 77DEUCE RECORDS. The Test of Time Anthology is released on Frajile Recordings. The white label pressing program reaches its culmination with The Dub Plug Series, ten records, twenty tracks, the most concentrated expression of the show-exclusive philosophy in the entire catalog.

**2026: Documentation.** The Dub Plug White Label Series is formally documented for the first time in this article, photographs, track listings, production credits, and the full story of how these records were made and why they will never be released digitally. The catalog stands at 124 confirmed releases plus 20 unreleased white label tracks, with a substantial additional archive of unreleased WAV files.

This is the timeline. This is the context. This is the history.

There are ten records in this series. Twenty tracks. Four collaborators beyond the core DJ Natural Nate VS Jiggabot partnership, Axel V, Rob Cokeless, Damian Doyle, and Angel Pitch. Every track mastered and cut by Izzy at The Dub Plug. Every record pressed through Bruise Your Body Breaks and The-Lost-Art.com. Every record played live, at shows, in front of crowds who will never hear these tracks anywhere else.

This is what it looks like when music is made for the love of it.

Not for the algorithm. Not for the streaming chart. Not for the playlist curator or the label A&R or the sync licensing opportunity. For the love of it. For the dance floor. For the people who showed up.

The photographs in this article are the only public documentation of these records that will ever exist. The labels are the only track listings. The shows where these records were played are the only performances that will ever happen. There will be no digital release. There will be no streaming version. There will be no Beatport listing. There will be no announcement of a future release.

These records are done. They are complete. They exist on vinyl, in the hands of the people who were there, and in the memory of every crowd that heard them played live. That is enough. That has always been enough.

"You were there. That is the whole point.", DJ Natural Nate®

If you were at one of those shows, if you heard one of these tracks played live, if you felt the bass in your chest and the groove in your feet and the moment in your memory, then you have something that no streaming platform can give you and no algorithm can replicate.

You were there. That is the whole point.

, DJ Natural Nate®